6th to 10th April 2015, Brussels, Belgium
Masterclass in Royal Conservatory
Master Classes for aspiring conservatory students, with the accent on real-life musicianship: orchestra and chamber music, how to prepare for an audition, tricks of the trade, instrument set-up, common-sense bowing and fingering solutions within a specific performance context.
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23rd and 24th April 2015, Lugano, Switzerland:
Double Bass Masterclasses:
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28 January till 10 February 2015
Building Bridges Japan Tour 3:
"Mô iikai ?"
2月1日 さいたま市 カフェ土瑠茶
14:00 よいこの為のコンサート
18:00 イブニングコンサート
２日 さいたま市仲町小学校
３日 群馬県沼田 水芭蕉
４日 同上 ちぐさ保育園、 香石庵
５日
10:30 さいたま市岸町公民館
午後より北浦和小学校にて交流会
７日
20:00 さいたま市ミュージックバートモミックス
８日
13:00 埼玉県立西高
17:30 蕨市文化ホールくるる
http://warabi-fmpc.or.jp/kururu/
２０１５年春
心の架け橋ツアー Number 3
Duo Sweet 17
２０１３年、２０１４年に続き、今年も私たちDuo Sweet 17は来日公演を行います。
田辺晴子の地元、さいたま市を中心に約１０日間皆様に
ベルギーから音楽をお届けに参ります。
初日の２月１日、私たちの心のふるさとのカフェ土瑠茶様では、昼の部では”よいこの為のコンサート” と題して
乳幼児からご家族の方々までが楽しめるようなプログラを、
そして夜の部は世界初公演となるベルギーの作曲家 Jacques van Herenthals による
コントラバス組曲第3番を含めたイブニングコンサートを催させて頂きます。
そして又、わらべ歌等を含めた組曲”もういいかい”を、昨年同カフェのオーナーの中平様にコーディネイトして頂いた南相馬ーいわきー郡山ツアーでの写真をスライドにしてお目にかけながら演奏する予定です。
翌日２日には２０１３年にもお伺いした仲町小学校で
もう一度演奏させて頂きます。
この小学校は音楽の先生の情熱が素晴らしく、
前回は素晴らしいリコーダー演奏、そして
心のこもった合唱で迎えて頂き、深い感動を受けました。
今回も又交流を持たせて頂けてとても光栄です。
３、４日は群馬県の沼田へ土瑠茶の中平様にお車でお連れ
いただき、地元のボーイスカウトや保育園、音楽愛好家の方々対象のコンサートを３カ所で行ないます。これらは国際ソロプチミスト沼田様、利根ぬまたベンチャークラブ様の御協賛をいただいております。
５日はさいたま市の岸町公民館で地元の方々と紙芝居を含めたふれあい演奏会を行い、
午後は初めてお伺いする北浦和小学校で演奏会を行わせて頂きます。
７日は素敵なマスターご夫婦がいつでも笑顔で迎えてくださるお店、トモミックスで演奏させて頂きます。やはり地元の素晴らしいピアニスト、昼間千穂さんとご一緒します。
最終日８日は県立西高での交流コンサート、そして夜は蕨市立文化ホールくるるで、
コーラスの方々とのジョイントコンサートを行ないます。
私たちのプログラムは、わらべうたからアニソン、そして普段ヨーロッパで演奏しているバロック、クラシック、そして現代曲までを含んでいます。そしてお客様の様子によって臨機応変にバリエーションを加えるよう、心がけています。
今回の公演でプログラムの他に注目をして頂きたいのは、私たちのとてもカラフルな楽器です。
これらの楽器は、平和への願いをこめて、ベルギーの新進芸術家、Hannes d’Haese 氏に作成してしていただいた物です。
それぞれの楽器に平和へのメッセージを入れてあります。
争いが日に日に増えている今の世界に、芸術家として何が出来るか。
その課題を毎日考えています。
音楽を通して少しでも私たちの心を休めたい。そして明日への勇気を分かち合いたい。
そのような願いをこめて、今回のツアーに向かいます。
一人でも多くの方にお会いできますように。
田辺晴子
コルネル・ル・コント
January 2015,
Minimes Church, Brussels, Belgium
We will perform the "Symphonie Concertante"
by Henri Casedesus with The Orchestra of the Minimes Church.
23 November 17h
Brussels, Belgium
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4 - 9 October 2014
Korneel will be present at International Chamber Music Festival Schiermonnikoog, Nederland
http://www.schiermonnikoogfestival.nl
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13 September 2014
"Made in Asia", Namur, Belgium
25 August 2014, 2 PM
Bass2014, Amsterdam
10 August 2014, 10:30
La Chapelle Royale, Brussels
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27 July 2014, Haruko will play in Saitama, Japan
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Saturday 21st june 2014
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| Photo Viola le compte |
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11th April, De Munt / La Monnaie
Brussels
"Around Rossini"
Ensemble Per Questa Bella Mano
Sonata a Quattro (Rossini)
Duetto per Violoncello e Contrabbasso (Dragonetti)
"Une Larme" for solo Double Bass and strings (Rossini)
Variations on One String (Paganini) in an exciting new arrangement for one-string solo Double Bass (!) and Viola d'Amore
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6th April, 5 PM
Apéritif concert in Brussels:
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!!18-31rd March, Japan!!
!!18-31rd March, Japan!!
"Building Bridges Tour Nr. 2"
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| Photo Viola Le Compte |
20/03 Youth support center, Saitama city
さいたま市 若者 自立支援ルーム
21/03 Dolce event hall, Saitama city
Café 土瑠茶イベントホール さいたま市
22/03 Civic center, Minamisôma (Fukushima)
原町市民会館 南相馬市
( 国際ソロプチミスト主催 )
23/03 Chapel concert, Iwaki (Fukshima)
平バプテスト教会 いわき市
24/03 School concert, Kôriyama (Fukushima)
大成保育所、乙保育所 郡山市
27/03 Kyôshin temple, Kakogawa (Hyôgo)
教信寺法泉院音楽の館 加古川市
Masterclass by Korneel
Masterclass by Korneel
28/03 Kyôshin temple, Kakogawa (Hyôgo)
教信寺法泉院音楽の館 加古川市
30/03 Tea time concert, Nagoya city (Aichi)
すぺーす 萌 名古屋市
31/03 "Ten Children" 50th Anniversary concert, Suntory Hall, Tokyo
スズキ メソッド "テンチルドレンの
５０年の歴史"
サントリーホール、東京
Met de steun van de Vlaamse Gemeenschap.
Duizend maal dank aan alle sympathisanten, vrienden en familie voor hun steun aan ons Fukushima-projekt !
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3rd January, De Munt / La Monnaie, Brussels, Grand Foyer :
Giovanni Bottesini: "I Grandi Duetti Virtuosi"
Photos by Viola Le Compte
P R O G R A M:
Gran Duo for Violin and Double Bass, Daniel Kuzmin, Violin
"Passione Amorosa" for two Double Basses, Janos Csikos, Double Bass
(Korneel: Travel Bass B 21 "Basse-Partout"by Patrick Charton)
With Hiroko Fukushima, Piano
In this Tour de Force - Concert Korneel will perform three of Bottesini's most important "Grandi Duetti". One usually hears just one of them at a time, most often the Gran Duo with violin. But as a special New Year's treat, we'll offer you three for the price of one...
La Monnaie Orchestra colleagues Janos Csikos (bass) and Raymond Dils (clarinet), together with the talented young Croatian violinist Daniel Kuzmin and the wonderful pianist Hiroko Fukushima will combine in a dream-team to bring you some of the most breathtaking virtuoso playing and beautiful italian belcanto melodies to make your heart melt.
A nice start of the year 2014.
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Lecture: What does Paul McCartney have to do with Ancient Music ?!??
Come and find out this Friday morning 22nd November 2013, at Brussels Conservatory's Study Day.
Korneel and Haruko will present some experiences and ideas that might benefit students who wish to embark on an Artistic Doctorate.
15 October 2013, Valenciennes, France
Duo Sweet 17 will play again with fantastic Jean Pierre Dassonville
at the International Horn Convention...
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27th october 2013, Eglise de l'Epiphanie, Schaarbeek, Belgium:
Ensemble Jean-Pierre Dassonville (Natural Horn), Guy van Waas (Pianoforte), Haruko Tanabe (Viola d'Amore), Korneel Le Compte (Viennese Violone).
Michael Haydn : Divertimento for Horn, Viola and Bass.
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12th October 2013:
Two recitals at the "Klangwelten in Couvenräumen", Eupen, Belgium.
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28th September 2013:
28th September 2013:
Duo Sweet 17 concert at the violin maker's exhibition in Palazzo Trecchi, Cremona, Italy
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19th August 2013
Eglise des minimes, Brussels:
International Festival des Minimes.
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12th August 11am, Abbaye,
Festival de Stavelot.
Haruko will play concerti for viola d'amore with
Ensemble Il Gardellino
"Les instruments d'amour"
Johann Christoph Graupner (1683-1760)
Concerto (GWV 333) pour flûte d'amour, hautbois d'amour, viole d'amour, cordes et basse continue
Antonio Vivaldi (1678-1741)
Concerto en ré majeur (RV 392) pour viole d'amour, cordes et basse continue
Johann Sebastian Bach (1685-1750)
Concerto en la (BWV 1055a) pour hautbois d'amour
Georg Philipp Telemann (1681-1767)
Concert en mi majeur (TWV 53:1) pour flûte traverso, hautbois d'amour, viole d'amour, cordes et basse continue
Ensemble Il Gardellino:
Jan De Winne, flûte traverso et flûte d'amour
Marcel Ponseele, hautbois d'amour
Ryo Terakado, violon et viole d'amour
Haruko Tanabe, viole d'amour
Mika Akiha, violon
Kaat De Cock, alto
Emmanuel Balssa, violoncelle
Korneel Le Compte, contrebasse
Guy Penson, clavecin
Concert : 12 euros et 6 euros (étudiants) | Abonnement "Matins" (4 concerts): 40 euros et 20 euros (étudiants) | Places NON numérotées
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18th - 29th july /７月１８−２９日
"Building Bridges Japan Tour"
"心の架け橋ツアー"
"心の架け橋ツアー"
１９８０年浦和市立大谷場中学校３年３組卒業記念 とびたつ仲間
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6th June, Korneel will be present at the ISB convention, Rochester,NY With his documentary
"From Brussels with love"
"From Brussels with love"
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CONCERTINO
La Monnaie, Fiocco Hall,
17th May 2013, 12.30
Ensemble “Per Questa Bella Mano” on period instruments
“AROUND MOZART”
1/ J.M. Sperger : Duetto for Viola d'Amore and Viennese Violone
2/ Leopold Mozart : Frosch-Parthia
3/ F.A. Hoffmeister : Solo-Quartett nr. 1
4/ W.A. Mozart : Concert Air KV 612
"Per Questa Bella Mano"
The Instruments / The music
In this very special concert you will hear instruments that look familiar, but which differ from their modern counterparts.
In this very special concert you will hear instruments that look familiar, but which differ from their modern counterparts.
The string instruments are set up with gut strings, with the exception of the Viola d’Amore. Indeed, this instrument of Arab origin adopted steel strings from very early on, and they give it its silvery, resonant sound. Despite its many strings the Viola d’Amore is not a loud instrument, but according to Leopold Mozart it was the “sweetest sounding” of all string instruments. The Amore you will hear in the hands of Haruko Tanabe has 7 playing strings and 6 resonance strings.
The Viennese Bass is an instrument type that dates from the Classical Period. It is tuned in a combination of thirds and fourths (D-A-D-F#-A) as opposed to the modern bass which is in fourths throughout. The “Viennese Violone” with its somewhat rough, reedy and resonant sound was capable of great virtuosity, and even Mozart composed a Concert Air for bass voice and Viennese Bass. His “Per Questa Bella Mano”, written shortly before the composer’s death, is quite a challenge on the modern bass. The Viennese Violone gives one a better chance to enjoy the real qualities of this splendid work.
Mozart wasn’t the first composer to couple the voice with the Viennese bass. Johann Matthias Sperger, whose Duetto for Viola and Bass you will hear (albeit played on a Viola d’Amore instead of the Viola) wrote two similar concert airs, more than ten years before Mozart. Sperger was probably the first real bass virtuoso in history.
From Sperger to Hoffmeister is but one step. Whereas we have no idea whether Sperger and Mozart ever met, Hoffmeister knew both men very well. He played the violon in a string quartet with Mozart (Viola), Dittersdorf (Violin) and Vanhal (cello), and for Sperger he wrote 4 Solo-quartets and a number of concerti. You will be hearing the first of these Solo-quartets, a work in which Hoffmeister is still trying to familiarize himself with this enormous instrument. The piece consists of 3 movements, the last of which is a Polonaise ("Polonese") in Rondeau-form. For final movements the Rondeau was all the fashion back then, as was Eastern European folk music.
It comes as no surprise then, that we find another Polonaise (written "Polonoise”) as the last movement of Leopold Mozart’s “Frosch-Parthia” (Frog-Parthia). This charming composition was found in an Austrian monastery where the Mozart family stayed from time to time on their many trips to and from Vienna. The piece may have been written and played there, by Leopold on violin, the abbott (who was apparently very musical) on the 'cello and a monk on the bass (most Austrian monasteries back then had a bass player).
The frog imitations are quite discreet : one finds them in some dissonances and very low notes, but Leopold had enough taste not to turn this piece into a circus number by having frog sounds all over the place. All in all, an unpretentious and amusing piece, fun to hear as well as to play.
The frog imitations are quite discreet : one finds them in some dissonances and very low notes, but Leopold had enough taste not to turn this piece into a circus number by having frog sounds all over the place. All in all, an unpretentious and amusing piece, fun to hear as well as to play.
Here, Korneel will be using a 5-string D-Violone, the “contrabass” version of the Viola da Gamba. Tuning is D-G-C-E-A.
The Concert Aria by Leopold’s son Wolfgang was for a long time considered a kind of mystery : unplayable, and unworthy of the great composer. It was only when the original instrument was rediscovered, and its special way of notation (two octaves higher than the actual pitch), that people realized this was one of Mozart’s most beautiful airs.
Yoshiaki Kimura, rising star among the younger generation of Japanese singers, Kimiko Nishi on pianoforte and Korneel le Compte on Viennese Violone invite you to discover this marvellous "love song" : “For this lovely hand…”
This concert will be recorded and filmed for the documentary “From Brussels With Love”, that will be premiered at the International Bass Convention in Rochester, N.Y. on June 6th.
Ensemble Per Questa Bella Mano
今回のコンサートは、現在同歌劇場で公演中の “Cosi fan tutte” (邦題: 女は皆こうしたの) を作曲した Wolfgang Amadeus Mozart に関係のある作曲家ばかりを集めて企画されました。彼が活躍した１８世紀中、後期は、ヨーロッパの大部分を支配していたハブスブルグ家の黄金期、そのお膝元のウイーンでは、同家に仕える音楽家達がひしめき合い、才能の火花を散らしていました。
その内のひとり、Johann Mathias Spergerは、コントラバスの名手としてその名を国内外で知られていました。この時代のコントラバスは現在の物と調弦法が違い、ニ長調で調弦されていた為、同調で作曲されたソロのパートがとても華やかな響きになります。
勿論、今回もこのウイーン式調弦で演奏されます。このデュオ曲でコントラバスのお相手をするのが、あまり知られていないヴィオラダモーレという楽器です。６本の共鳴弦を備えたこの楽器もニ長調に調弦されている為、一緒に演奏するとまるで大聖堂で聞いているような錯覚を起こさせます。どうぞ目と耳でお楽しみください。
Leopold Mozart は、息子アマデウスの中に稀な才能をみつけ、最高の教育を施して、その結果今私たちの耳にする素晴らしい名曲の数々を世に残す事を可能にしました。
あまり知られていませんが、彼自身も立派な音楽家でした。今回は殆ど弾かれる機会の無い、”カエルのパルティータ” を演奏します。名前が表すように、宮廷などでの正式なコンサートの為に書かれた曲ではなく、家族で演奏旅行中に、泊めてもらった 修道院の音楽家の為に お礼に書かれた曲だそうです。よく聞くと、たしかにカエルの鳴き声がきこえてくるあたり、教育パパの反面ユーモアに溢れた人だったのでしょうね。
Anton Hoffmeister は、アマデウス君の大の仲良しでした。２歳しか違わない二人は、よく一緒に演奏をしていまた。あまり知られていませんが、彼は若きベートーベンの師でもありました。しかし、３０代で印刷業を始め、大成功をおさめた為作曲のほうはあまりしなくなってしまいました。今日も残る大楽譜出版社”ホフマイスター”は, 彼が立上げた会社です。今回は彼の作曲した４つのソロコントラバスカルテットのなかで、まだ出版されていない一番をとりあげてみました。作曲家の手稿版を使って演奏されます。
さて、最後に演奏するWolfgang Amadeus Mozart がその短い生涯の中で唯一のソロコントラバスを登場させた曲、バリトンアリア ” Per Questa Bella Mano”。邦題では”この麗しい手の為に”と訳されます。
最後の作品となるレクイエムの直前に書かれたこの曲、すでに思わしくなかったであろう健康状態のひとかけらも感じられません。バリトンとコントラバスという新しい試みで、”君の美しい手にかけて誓う、
愛しているよ。”と彼のお得意な口説き文句をふんだんに使ったアリアです。
ウィーン式コントラバスでしか弾けない楽譜のため、めったに弾かれる事の無いこの曲、今回は新進バリトンでドイツでご活躍の木村善明さんと、リエージュ王立音楽院の西公子さんにご自分の所有楽器のwalterモデルのピアノフォルテを使用して演奏して頂きます。
なお、今回のコンサートは今年の６月に催されるニューヨークでの国際コントラバス大会で放映予定の” From Brussels with love” の画像制作の為、カメラが数台同席いたします。あらかじめご了承くださいませ。
田辺晴子
“RONDOM MOZART”
Ensemble “Per Questa Bella Mano” op authentieke instrumenten
In dit concertino zult u instrumenten horen die er op het eerste zicht heel bekend uitzien, maar die zich allemaal van hun eigentijdse soortgenoten onderscheiden.
De strijkers zijn met darm besnaard, behalve de Viola d’Amore, een instrument van Moorse oorsprong dat al heel vroeg met metalen snaren bespannen werd. Deze geven het instrument zijn zilverachtige, resonante klank. Ondanks het groot aantal snaren is de Viola d’Amore geen luid instrument, maar volgens Leopold Mozart was het het “zoetste” strijkinstrument van allemaal. De Amore die u zult horen in de handen van Haruko Tanabe heft 7 gestreken en 6 sympathische (resonantie-) snaren.
De Weense Kontrabas is een instrument dat dateert uit de Weense Klassiek. Ze wordt in tertsen en kwarten gestemd, in tegenstelling tot de moderne kontrabas die louter kwarten heeft. Deze “Weense Violone” was bijzonder geschikt voor virtuoos spel, en zelfs Mozart schreef een concert-aria voor basstem en Weense Kontrabas. “Per Questa Bella Mano”, geschreven kort voor de dood van de komponist, is op de moderne bas bijzonder moeilijk en ondankbaar. De Weense Violone maakt het mogelijk om de echte klank van deze schitterende aria te laten horen.
Mozart was overigens niet de eerste komponist die de stem koppelde aan de kontrabas : Johann Matthias Sperger schreef meer dan tien jaar voor Mozart al twee Aria’s met obligate kontrabas. Van Sperger, wellicht de allereerste grote kontrabas-virtuoos, hoort u het Duetto voor Altviool en Kontrabas, hier in een versie voor Viola d’Amore.
Van Mozart en Sperger naar Franz Anton Hoffmeister is maar één stap : we weten niet of Mozart en Sperger elkaar ooit hebben ontmoet, maar Hoffmeister kende beide musici heel goed. Hij speelde strijkkwartetten met Dittersdorf (viool), Mozart (altviool) en Vanhal (cello), en hij komponeerde voor Sperger 4 Solokwartetten en een reeks concerti. Van die Solokwartetten hoort u hier het eerste, waarin de komponist de mogelijkheden van dit grote instrument aftast. Het kwartet heeft drie delen, waarvan het laatste een Polonaise is (“Polonese”) in Rondeau-vorm. Het Rondeau en de oosteuropese volksmuziek waren toen erg in de mode voor de finales van allerhande werken.
Het hoeft dan ook niet te verbazen dat we in Leopold Mozart’s “Frosch-Parthia” (“Kikker-Parthia”) als laatste deel eveneens een “Polonez” aantreffen. Het stuk werd teruggevonden in een oostenrijks klooster waar de familie Mozart vaker verbleef op hun vele reizen van en naar Wenen. Wellicht werd het stukje daar gekomponeerd en uitgevoerd, door Leopold op de viool, de muzikaal zeer begaafde abt op de cello, en een monnik op de bas.
De kikker-imitaties zijn eerder bescheiden : we vinden ze in enkele dissonanten en heel diepe noten, maar papa Mozart had voldoende smaak om ervoor te zorgen dat het geen cirkusnummer werd met veel gekwaak.
Kortom, een eenvoudig en pretentieloos stukje, leuk om te spelen en om te beluisteren.
Korneel speelt hier op een vijfsnarige D-Violone, de “kontrabas”-versie van de Viola da Gamba.
De concert-aria van zoon Wolfgang werd lange tijd aanzien als een onspeelbare rariteit, de grote Mozart onwaardig. Het was pas toen het oorspronkelijke instrument herontdekt werd, en vooral de ongebruikelijke notatie (twee oktaven hoger dan de reële klank), dat men begon in te zien dat we hier te maken hebben met één van Mozart’s mooiste aria’s.
Yoshiaki Kimura, rising star van Japan’s jonge generatie van zangers, Kimiko Nishi op de pianoforte, en Korneel le Compte op de Weense Violone, nodigen u uit om deze verrukkelijke liefdesaria te ontdekken : “Voor deze mooie hand…”
Dit concert wordt opgenomen en gefilmd voor een muziek-documentaire “From Brussels With Love”, die op 6 juni vertoond zal worden op het Internationale kontrabascongres in Rochester, N.Y.
Dans ce petit concert vous entendrez des instruments qui vous sembleront familiers, mais qui se distinguent tous plus ou moins de ceux qu'on utilise dans nos temps modernes.
Les instruments à cordes sont montés avec des cordes en boyau, à l'exception de la viole d'amour. En effet la viole d'amour, instrument d'origine Arabe, a très vite adopté des cordes en acier qui lui donnent sa sonorité résonante et argentée. Malgré ses nombreuses cordes, la viole d'amour n'est pas un instrument très puissant de nature, mais selon Leopold Mozart c'était le plus beau de tous les instruments. La viole que vous entendrez aujourd'hui dans les mains de Haruko Tanabe possède 7 cordes frottées et 6 cordes de résonance.
La contrebasse Viennoise est un type d'instrument qui date de l'époque classique. Elle est accordée en tièrces et en quartes, contrairement à la basse moderne qui est en quartes uniquement. Le "Violone Viennois" était un instrument capable de grande virtuosité, et même Mozart composa un air de concert pour voix de basse et contrebasse viennoise : "Per Questa Bella Mano", écrit peu avant la mort du compositeur, reste l'un des cauchemars du contrebassiste moderne. Ce n'est qu'avec la contrebasse viennoise que l'on redécouvre les vraies qualités de cet air splendide.
Mozart n'était d'ailleurs pas le premier compositeur à combiner la voix avec la basse viennoise, car Johann Matthias Sperger, dont vous entendrez le Duetto pour Alto et Contrebasse (aujourd'hui interprêté à la viole d'amour), a composé deux airs de concert environ dix ans avant Mozart. Sperger était sans doute le premier grand virtuose de la contrebasse.
De Sperger et Mozart à Hoffmeister n'est qu'un pas : nous ne savons pas si Sperger et Mozart se sont rencontrés, mais Hoffmeister connaissait très bien les deux. Il jouait du violon en quatuor à cordes avec Mozart -(alto), Dittersdorf (violon) et Vanhal (violoncelle), et pour Sperger il composait quatre quatuors et quelques concertos. Vous entendrez le premier de ces quatuors, une oeuvre dans laquelle il essaye de se familiariser avec cet instrument énorme. La pièce consiste en trois mouvements, dont le dernier est une Polonaise en rondeau. Le rondeau était alors fort à la mode, ainsi que la musique folklorique slave.
Polonaise ("Polonez") également chez Leopold Mozart, dans sa "Frosch-Parthia", la Partie des Grenouilles. Retrouvée dans un monastère autrichien où la famille Mozart était de temps à autres hébergée lors de leurs voyages, l'oeuvre y fût probablement composée et jouée par le papa Mozart au violon, l'abbé (très musical, il paraît) au violoncelle, et un moine à la contrebasse.
Les allusions aux grenouilles sont assez discrètes : on les retrouve dans certaines dissonances ou dans des notes graves, mais Leopold avait assez de bon goût pour ne pas être trop évident dans ces imitations. Une pièce simple et sans prétentions, amusante à jouer et à écouter. Ici, Korneel utilisera le Violone en Ré, version "contrebasse" de la Viole deGambe.
L'air de concert du fils Leopold Mozart a longtemps été cataloguée comme mysterieuse, injouable, indigne de ce grand compositeur. Ce n'est qu'en redécouvrant l'instrument spécifique pour lequel l'oeuvre fût composée que l'on a compris qu'il s'agit ici d'un des plus beaux airs de Mozart. Rares sont aujourd'hui les bassistes qui maîtrisent la contrebasse viennoise et qui sont capables de faire ressortir les sonorités que Mozart avait en tête.
Yoshiaki Kimura, "rising star" des chanteurs japonais, Kimiko Nishi au pianoforte et Korneel Le Compte au Violone Viennois vous invitent à découvrir ce merveilleux air d'amour : "Pour cette belle main..."
Ce concert est enrégistré et filmé et sera utilisé dans le documentaire "From Brussels With Love", qui sera projeté lors de Congrès International des Contrebassistes à New York, le 6 juin.
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# On friday 1st March Korneel will play Bottesini's "Fantasia sopra la Sonnambula di Bellini" at the Grand Foyer of the National Opera De Munt/La Monnaie. Pianist is Alberto Moro.
# WDR3 broadcasts the concert we played in Herne with Il Gardellino last November. On the programme : Viola d'Amore Concerti by Graupner, Vivaldi and Telemann played by Haruko and by Mayumi Hirasaki.
# Sunday 9 December morning mass at the Brussels Eglise Protestante with Duo Sweet 17 playing excerpts from the Borghi Sonata for Viola d'Amore and Bass and Japanese film music.
# In the series of "Concertini" at La Monnaie, fridays at 12.30, Korneel will play on February 1st (Tribute to Maurice Aerts, with the Monnaie Bass Section in a program of solo and ensemble music) and March 1st (Bottesini fantasia on La Sonnambula).
# Ensemble Per Questa Bella Mano will play a recital of music by composers around Mozart, on May 17th.
This concert will be recorded on DVD.
# There is a project to realise a "Live Streaming" concert Brussels - New York in the first week of June. Venue in Brussels is to be decided, streaming via internet will be to the ISB (International Society of Bassists) Convention in Rochester, N.Y. In collaboration with the Brussels Royal Conservatory.
# In May 2013 PQBM will play their Spring Concert at the St.Henri-Church in Brussels. We continue our Hoffmeister Quartet Series with the 1st Quartet (the one that is never played because it's so hard to find... This will be a Belgian Premiere. The concert will be recorded). There will also be music by Leopold Mozart, Johann Matthias Sperger and other composers.
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We recently played Bach's Hohe Messe with baroque ensemble Il Gardellino and Capella Amsterdam in France (La Chaise-Dieu) and Holland (Utrecht Ancient Music Festival). The concert in Utrecht was streamed directly through internet and can be found on YouTube :
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On friday sept. 28th at 1pm, Korneel will participate in a baroque concert at the Lemmensinstituut, Leuven, with the famous baroque violionist and teacher Makoto Akatsu. Korneel will play the 7 string Violone d'Amore in a programme of Bach and Brescianello.
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23rd SEPTEMBER 2012, 3 PM
PROTESTANT CHURCH OF BRUSSELS
Ensemble Per Questa Bella Mano invite you to their Autumn Concert on a beautiful sunday afternoon.
Mozart's Aria "Per Questa Bella Mano" (yes indeed !), a Haydn Piano Trio, Hoffmeister's Third Quartet for solo double bass, and the world premiere of Casadesus' Symphonie Concertante for Viola d'Amore, Viennese Bass and Pianoforte...
When was the last time you had the chance to hear this many rare and precious works in one single concert ?
Please see our invitation on YouTube, along with our other films:
Program in English
日本語
Nederlands
Français
14 to 19th August, In Copenhagen, Denmark
Biennial Bass Convention
will be present as invited artists.
Please join us!!
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12th August, In Ghent
Come to meet us!!
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Sunday 17 June, University of Innsbruck, Austria
Bi-Annual International Viola d'Amore Congress
Haruko will play Double Concerto for Viola d'Amore and Double Bass by Casadesus, with Chamber Orchestra " Salonmusik".
CONCERT
„DIE SOLISTISCHE VIOLA D´AMORE“
„THE SOLLISTIC VIOLA D´AMORE“
2. KONZERT
Alte Universität Leopold-Saal
Karl Rahner-Platz
20.00
Christoph Graupner Konzert D-Dur für Viola d´amore, Viola und Streicher
1681-1760 In der Fassung von Helmut Tzschökell (1933-1999)
(12 Min.) Grave e staccato * Vivace * Grave * Allegro
Christiane Guhl, Viola d´amore
Carlos Maria Solare, Viola
Ganswind Konzert D-Dur für Viola d´amore und Streicher
um 1775-nach 1807 Tempo moderato - Adagio - Allegro
(12 Min.) Gheorghe Balan, Viola d´amore
Johann Peter Salomon „Romanza“, für Viola d´amore und Streicher
1745-1815 Viera Bilikova, Viola d´amore
(8 Min.)
Henri Casadesus „Préludes“ 13, 12, 15, 16, 17, 23
1879-1947 Wolfram Just - Viola d´amore
(12 Min.) Michaela Lengauer - Harfe
Karlheinz Stockhausen Aus „Tierkreis“, Version for 3 violas d´amore von Paul Müller
1928-2007 (2011)
„Pisces, Aries, Cancer“
Elena Kraineva _ Viola d´amore 1
Harold Hill - Viola d´amore 2
Edda Stix - Viola d´amore 3
Henri Casadesus „Symphonie Concertante“, für Viola d´amore, Kontrabass und
1879-1947 Orchester
(18 Min.) Allegretto * Andante * Allegro vivo
Haruko Tanabe - Viola d´amore
Johannes Gasteiger - Kontrabass
SALON-ORCHESTER INNSBRUCK
Leitung
GÖSTA MÜLLER
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Wednesday 6 June, 7 PM
Atelier Pierre Van Engeland, 71 Rue Raeymaekers
1030 Brussels
Ensemble Per Questa Bella Mano plays a mini concert for you...
There will be 3 instruments made by Pierre Van Engeland playing together!!
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Sunday 3 June 16 pm
At Jacob Norden, Fine Antiques and Musical Instruments
Rue de la Régence, 40-42
1000 Brussels
Sweet 17 will perform pieces by Attilio Ariosti, Giovanni Battista Borghi, Johann Matthias Sperger. In the heart of Brussels, at Le Sablon.
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Saturday 19 May 8 pm, Ringsheim, Germany
Sunday 20 May 8 pm, Kath. Kirche Heilig Kreuz , Münchweier Kirchberg, Germany
Korneel will play Vanhal's Concerto for Double Bass and Haruko will play Vivaldi's Concerto for Viola d'Amore with
Kammerorchestrer Etteheim, conducted by Stefan Krattenmacher, the maker of korneel's new bass.
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Sunday 1 April
Brussels Protestant Church
Ensemble Per Questa Bella Mano
Haruko TANABE baroque violin
Shiho NISHIMURA baroque cello
will play again during the morning service with Mrs. Wataya on organ.
Shiho will play on the baroque cello made by Pierre Van Engeland, and Haruko will play on a violin made by Fabien Gram, with gut strings.
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21/03/2012, 8 pm
Brussels Protestant Church
Exceptional Spring Concert with
王立オペラ演奏家達とその仲間達による新春特別コンサート
Ensemble Per Questa Bella Mano
Eglise Protestante,
Chapelle Royale,
2, Place du Musée
Price 10 euros
Information and reservation :
+32472731906
Please check our Program on line...
プログラムはこちらのリンクからお読みください、、、
MENU
Franz Anton HOFFMEISTER Quartet Nr. 4 with Solo Double Bass
( 1754-1812 )
- Allegro Moderato
- Menuett
- Andante
- Rondo
Joseph HAYDN Duo for Cello and Double Bass
( 1732-1809 )
- Theme and Variations
- Menuett
- Allegro Vivo
Karl Philipp STAMITZ Duo for Viola d’Amore and Viola
( 1745-1801 ) Variations on "Marlborough"
(“For he’s a jolly good fellow”)
- Allegro un poco
- Rondo, Allegretto
- Andante Moderato
- Allegro
- Andante con Variazione
PAUSE
Frantisek Xavier DUSEK Andante and Allegro for Harpsichord
( 1731-1799 )
Franz BENDA Sonata for Violin and Harpsichord in E
( 1709-1786 ) - Adagio
- Allegro ma non molto
- Allegro
Johann Baptist VANHAL Double Bass Concerto in Eb
( 1739-1813 ) - Allegro Moderato
- Adagio
- Allegro
Ensemble Per Questa Bella Mano : Korneel Le Compte Viennese Double Basses in D and Eb
Naoko Ogura Baroque Violin and Viola
Haruko Tanabe Baroque Violin and Viola d’Amore
Shiho Nishimura Baroque Cello
With : Kimiko Nishi (Harpsichord ), Mika Akiha ( Baroque Viola ), Viola Le Compte ( Bass )
The Viennese Classical Period is a real goldmine for musicians and music lovers. The years roughly between 1750 and 1830 present us with big political, social and artistic changes. Coming from the Baroque age, lots of baroque ideas and influences can still be found for a long time, but the tendency is for music to become less complicated in its construction. The old rules of counterpoint and harmony are mostly abandoned in favour of a more melodic approach. New musical forms are developed, such as the symphony or the string quartet, but old forms continue to exist and are adapted to the new taste (such as the instrumental concerto).
Squeezed between the Baroque and Romantic periods, art music gradually evolves toward a more individualistic expression in the later years. Many composers of the Classical time incorporate both baroque and pre-romantic elements into their works.
What we call the "Viennese" Classical Period goes far beyond Vienna itself. The term "Viennese" is a bit misleading because many of the great composers of that time worked far away from this cultural centre. Some scholars have suggested using the term "Austrian" rather than Viennese, but many composers came from other regions as well.
Tonight we present you with exquisite chamber music works by Classical composers from around Vienna and Bohemia. We feel pretty sure that for most of the pieces this will be the first time you have the chance hear them, and we really hope you will enjoy discovering this delicious music.
The instruments we are playing are either original old instruments or copies of such. For some works we have managed to find the manuscripts. (Manuscripts are magical because they are the closest we can get to a composer's ideas, but also because playing from a manuscript is like a form of time travel : to realise you are looking at the exact same image that the composer wrote and that the musicians played from, over two hundred years ago, is something very, very special).
Our goal is to try and be faithful to the composers' works, but at the same time to create an atmosphere of sharing a beautiful experience with our audience. For us, a concert is a two-way street. There is no concert without musicians. But there is no concert without the audience either. We hope we can share a happy evening together.
モーツアルトの四重奏仲間をご存知ですか？
第一バイオリンがディッタースドルフ、第二がホフマイスター、ビオラがモーツァルトでチェロがヴァンハル という超豪華なメンバーのアンサンブルでした。お互いに尊敬できる仲間で集まって、自分達で作曲した曲を演奏してウィーンでの青春の日々を楽しんでいた事でしょう。当時のウイーンはヨセフ2世(マリーアントワネットのお兄さん)による啓蒙思想の真っ盛り。音楽もその例に漏れず、一般市民にに親しみ易い音楽が盛んに演奏されました。日本ではちょうど江戸中期、町民文化の花満開。という事は、ウィーンと少し似た状況であったかもしれません。
今回のコンサートでは、前記のホフマイスター、ヴァンハル、そしてモーツァルトト親友デュセック、ハイドンの曲を演奏致します。その他、ヴィオラダモーレの名手としてヨーロッパ中を巡り、観客を熱狂させたシュターミッツ、そして半世紀さかのぼってベルリンの宮殿で大の音楽好きの軍人王、フレデリック大王に仕えたヴァイオリンの巨匠、ベンダの曲も用意しました。詳しいプログラムはhttp://duosweet17.blogspot.com/をご覧ください。
さて、東北大震災が起こってから、約1年が経ちました。1万キロ離れたベルギーから日本を思う気持ちは、皆同じであろうと思います。皆様の大事な方々がどうぞご無事でありますように、家を失った方々に一日も早く安全な生活が与えられますように、お祈り申し上げます。
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Sunday 26th February
Brussels Protestant church
Duo Sweet 17 will play during the morning service
We are very grateful to be able to play with Mrs. Wataya on organ.
Eglise Protestante
Place du Musée,2
1000 Bruxelles
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Korneel will play Mozart's Gran Partita KV361 with the Monnaie Chamber ensemble on monday 13 February at 8:15 pm.
De Warande, Turnhout.
De Warande, Turnhout.
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Korneel will play Schönbergs Kammersymphonie Op.9
with the Monnaie Chamber Ensemble on Friday 3 February at 12.30.La Monnaie, Grand Foyer.
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